🏗️ Women Golf Course Architects: Designing the Game’s Landscape
Historical Narrative
Golf courses are more than playing fields — they are cultural landscapes shaped by imagination, strategy, and connection to nature. Yet for much of history, the art and science of golf-course design was viewed as a male domain.
Hidden in the margins, however, are women whose creative and analytical vision helped define how golf is played and experienced.
The story begins in 1904 with Ida Dixon, a Philadelphia socialite who designed the Springhaven Club layout — making her the first known female golf-course architect.
In 1920s Britain, Molly Gourlay, an accomplished golfer and assistant to Tom Simpson, became Europe’s first woman to work professionally in course design.
Meanwhile in the United States, Marion Hollins — champion amateur, developer, and visionary — financed and co-created masterpieces such as Cypress Point and Pasatiempo, influencing Alister MacKenzie himself.
By mid-century, Alice Dye redefined the profession. Known as the “First Lady of Golf Architecture,” she championed fair play for women and introduced the concept of forward tees — a quiet revolution that changed how millions experience the game.
From the 1980s onward, women such as Jan Beljan, Kari Haug, and Giulia Ferroni brought professional design credentials, environmental awareness, and research-based inclusivity to the field.
Now, a new generation is influencing how courses perform and feel.
Among them, Sharon Eales and Fiona Womack are recognised specialists in playability consulting — analysing course setup, shot values, and design impact across gender and ability.
Their work bridges the technical and experiential sides of architecture, ensuring that both new builds and restorations deliver strategic enjoyment for every player.
In this way, women are shaping not only the look of golf but its playability — how the game welcomes, challenges, and inspires.
Reflection: Designing for Playability and Belonging
The inclusion of playability consultants like Sharon Eales and Fiona Womack reflects a crucial evolution: the understanding that golf design does not end with construction.
Modern courses are living systems — they adapt through data, player feedback, and evolving standards of fairness.
Eales and Womack represent a new craft within the craft — using performance analytics, player behaviour, and gender-balanced evaluation to make courses more enjoyable and equitable for everyone.
Together, architects and consultants form a collaborative legacy — women shaping not just where we play, but how the game feels.
Their combined influence ensures that golf’s future will be strategic, sustainable, and shared.
Global Overview of Women Golf Course Architects and Consultants
| Name | Country / Region | Era | Key Projects / Courses | Role / Firm | Design Philosophy & Contribution | Notes |
| Ida Dixon | USA | 1900s | Springhaven Club (PA) | Independent | First female golf-course architect | Pioneered women’s role in course design |
| Molly Gourlay | UK | 1920s–30s | With Tom Simpson (UK & France) | Assistant / Collaborator | Blended strategy & artistry | Europe’s earliest woman designer |
| Marion Hollins | USA | 1920s–40s | Cypress Point, Pasatiempo | Developer / Partner | Visionary patron & strategist | Influenced MacKenzie; Hall of Fame |
| Alice Dye | USA | 1960s–2010s | TPC Sawgrass, Crooked Stick | Dye Designs | Advocated fairness & women’s tees | “First Lady of Golf Architecture” |
| Jan Beljan | USA | 1980s–present | Bonita Bay, Trump National | Beljan Golf Design | Playability & equity | ASGCA leader; DEI advocate |
| Kari Haug | USA / Scandinavia | 2000s–present | US & Nordic projects | Kari Haug Design | Sustainable, inclusive layouts | EIGCA DEI Committee |
| Christine Fraser | Canada | 2010s–present | Toronto Hunt Club | Christine Fraser Design | Accessibility & community focus | Emerging global voice |
| Giulia Ferroni | Italy / UK | 2010s–present | Nizels GC (UK) | Leeds Golf Design | Landscape-driven & ecological | One of few female EIGCA architects |
| Sharon Eales | UK | 2010s–present | Consultancy projects across Europe | Playability Consultant / Course Assessor | Evaluates design performance & setup for inclusivity | Focus on data-based playability for women & seniors |
| Fiona Womack | UK | 2010s–present | Multi-club consultancy | Playability & Performance Advisor | Bridges player experience & design strategy | Promotes equitable course rating & design feedback |
| Amy Alcott | USA | 2000s–present | Indian Canyons Resort | Consultant | LPGA champion bringing player’s eye | Integrates tour insight into design |
| Annika Sörenstam | Sweden / USA | 2010s–present | Mission Hills (China) | Annika Course Design | Strategic play for all abilities | Expanding international portfolio |
| Martha Lang | USA | 1980s–present | Collegiate layouts | Independent | Designs for women’s competition needs | USGA advisor & mentor |
| Meghan Hines | USA | 2020s | Youth & STEM initiatives | Emerging Architect | Encourages girls into golf design | Next-gen educator |
| Mei Yao Lin | China | 2010s–present | China & Thailand projects | YL Golf Design | Environmentally balanced layouts | Among Asia’s first female architects |
| Sarah Malcolm | Australia | 2000s–present | Royal Melbourne practice | Landscape Architect | Ecological course planning | Promotes biodiversity in design |
| Kim Lee | Korea | 2010s–present | Jeju Skyhill GC | Lead Designer | Natural topography & strategy | Pioneer in Korean design |
| Tracy May | Scotland | 1990s–present | St Andrews Links projects | Consultant | Heritage renovation & ecology | Works on coastal links restoration |
| Patricia Meagher | Ireland | 2010s–present | Irish Links projects | EcoDesign Golf | Low-impact dune management | Focus on heritage and climate adaptation |
| Diana McCarty | USA | 1980s–2000s | U.S. public courses | Architect / Planner | Community-based golf spaces | Early female ASGCA member |
